![]() There was a push to sort of really name the labels, whether it was Jules’ labels or to label Jules’ and Rue’s relationship in a way that isn’t really how we do things anymore. We would have to explain things to the people much higher up who have a say in how the story gets told. We then would sometimes then have conversations because it’s not just Sam as the writer, showrunner, director, executive producer, auteur - he does answer to producers and executives at HBO. ![]() Their powers combined made my job really easy in that regard. ![]() She understands the importance of representation and how to do it right and well. I always say that you can’t find any trans person, but Hunter’s not any trans person. She’s a very articulate trans woman and she already understands these things. But the difference with Hunter is that she was already an activist. I’m always very quick to say, you can’t just find any trans person and think that they’re going to tell a good trans story, because we are all completely overwhelmed by mainstream culture and the tropes it tells us - even trans people. He was really open and collaborative with Hunter so that she could mold those details in a way that felt true to the story that she wanted to tell for Jules. Sam did something that I think is really important for artists to think about in telling the very truthful details of his own personal story. Scott Turner Schofield: I started out working with Sam Levenson on the script, which I read with an eye toward tropes … However, I do have to represent that I really didn’t have to do a lot in that regard. Can you describe what your work looks like as the show’s trans consultant? Polygon: You wore a few hats during the production of Euphoria. Polygon spoke with Schofield about his consulting work on the series and the “contact high” of working on Euphoria. Euphoria not only features other trans actors like Quintessa Swindell ( Trinkets), but also explores gender and sexuality in a way that feels authentic to its audience.Īccording to Scott Turner Schofield, Euphoria’s trans consultant, that’s due to showrunner Sam Levinson’s earnest desire to listen to trans individuals and fairly and accurately represent their experiences on screen. Trans actress Hunter Schafer is the series’ breakout star: An advocate turned model turned teen drama star, she infused Jules’ storyline with her own personal experiences. The series follows Rue, Jules, and a handful of other teens as they struggle with addiction, sexuality, abuse, and identity. The series stars Zendaya and Hunter Schafer as Rue and Jules, respectively: lonely teens-cum-star-crossed-lovers whose attraction to each other feels like a constant game of catch-up. Over a quarter of all transgender and gender-nonconforming respondents (almost 27 percent) reported being denied care.HBO’s Euphoria is one of the most compelling television series of 2019, and one of the few current teen dramas that not only gets, but respects, today’s teens. Transgender Americans face barriers within healthcare, which can make it challenging to receive gender-affirming care according to a study by Lambda Legal, 70 percent of transgender people say they have been victims of discrimination during medical exams and appointments. ![]() Under the current guidelines of the World Professional Association for Transgender Health, hormone replacement therapy is reserved for children 16 and older, while puberty blockers are typically used for those under 16. She also was able to transition at 13 and have a safe place to live, and this is not the reality for many trans teens, including myself.” “She’s white, skinny, conventionally attractive, and passes well. “I don’t think the show acknowledges Jules is very privileged for a trans woman,” she says. ![]() Seventeen-year-old viewer Zoe shares that although she likes Jules, the audience should remember Jules comes from a privileged background. ![]()
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